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Another Direction: Day 23, Nov. 23, 2009
Where do I start? One day is much like another, only different, and each day seems to bring new revelations. At least each does when I’m paying attention. This morning, I worked over that central panel, again. I realized that, as it was painted, it looked as if a gap existed between the mountains —…
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Working the Center: Day 22, Nov 22, 2009
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Sometimes a Great Notion: Day 21, Nov. 21, 2009
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Breakthrough: Nov. 19, 2009
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Desert Tour and the Long Slope: Day 14, Nov 14, 2009
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Trauma du jour, averted. Day 13, Nov 13, 2009
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It’s Raining!: Day 12, Nov.12, 2009
I didn’t know what the sound was, except that it was extremely strange. The Red Barn, with its tin roof and its kangaroo rat and its tarantula and occasional bird often harbors strange sounds. But this, well, this, this sounded like rain. Pitter patter rain, on a tin roof. And so it was. Earlier in…
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Back to Work: Day 11, Nov. 11, 2009
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Pigments, Placements and Papa Cezanne, Day 8, Nov. 8, 2009
Last evening in a comment on Art and Perception, Birgit spoke about “pure” and “mixed” oil pigments. I was shocked! I know about “pure” dye powders and mixtures, and although when I was dyeing fabric I sometimes succumbed to the temptations of the mixtures, I was well aware that I was doing so. The problem…
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Visitors: Day 7, Nov. 7, 2009
More visitors today, all welcome. First I went for a long walk north of the Barn, delighting in the scenery, the foliage, the rocks, and the human artifacts. Then, after returning, and working a bit, John Donahoe and his grayhound (whose name I keep forgetting) showed up for more advice about painting his screen door…