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Dateline: Mitchell, Oregon, Sept. 15, Day 10
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Wonky-Scapes, a truncated history
I was prevented from hanging my upcoming exhibit Wednesday afternoon by construction issues, so I decided my spare time could be spent rummaging around in my brain, thinking about how I got to doing wonky plein air and studio city-scapes. The exhibit is Wonky PDX: City-Scapes by Yours Truly, showing at the Full Circle Gallery,…
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Thomas Hart Benton: Vertical Composition, Energy Fields, and Space through Size
Thomas Hart Benton seems to hold one or more of the keys to my attempts to consciously understand my own painting processes. Thomas Hart Benton, Boomtown, 1927 –1928* As I noted here and here, I am concerned to find that sweet spot, the riparian zone of visual art, where space becomes place, but is not…
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Petrified Forest Residency: A concluding remark or two, in Context
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Petrified Forest Residency, Almost Finished: Oct. 16, 2010
October 16, 2010: Last painting finished in the Petrified Forest. Yesterday we toured Holbrook, where we “did” Jim Gray’s Rock Shop, a serious classic of its kind, checked out the Museum Courthouse, walked through and photographed the Centennial Historic Register District, and got home by 1 PM. Oh and we had a Dairy Queen. Then…
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Petrified Forest Residency, Day 14, Oct 9, 2010
Blue Mesa Badlands, Petrified National Forest, 2010. Having survived the demos, I am taking the day off from painting. Which didn’t exactly mean sleeping in. We got up at our usual time, but this morning, instead of pulling myself up and pulling things together and pulling myself to the car to get to the painting…
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Petrified Forest Residency: Travel, Sept 19
Caldwell, Idaho: too tired, too rainy, too much road, too tacky the surrounds, to do any painting outside tonight. I did drag out my colored pencils and sketch pad and ended up doing a pseudo-watercolor (pseudo because it was sketched and then scratched in with watercolor pencils and brushed over). I wish this piece were…