Category: Artistic Processes

  • Paintings from Pine Creek: Finale

    In preparing for our extended visit to the old family home,  Cedar Pines, along Pine Creek in northern Pennsylvania, I realized that the lush green landscape required more than my usual travel supply of small boards. I needed ampler materials so I could stretch myself into the landscape. Lots of artists don’t work large, and…

  • Paintings from Pine Creek, Second Issue

    It’s now November and I have left the north-central woods of Pine Creek, had a brief visit with relatives  in Lancaster County, spent four days in Philadelphia, mostly at the new Barnes Museum, and am now back in Portland Oregon. Here’s some links to my non-painting adventures: the Saga; the Crick; the hike up Gamble…

  • The Figure in the Landscape: Summer 2012

    I just completed a 2-week, six-day workshop on the figure in landscape. I have decided that this year I will concentrate on painting figures and faces, so in June, I reviewed portraiture with Jeff Burke at Hipbone studio (see the previous post). And in July,  I took this workshop. Our schedule was fairly routine: We…

  • PSF Residency: Post #4

    These posts come slow and slower. I hope not to have to record slowest. I spent one day down on the res last week. I did one plein air painting. The temperature hovered at about 44 degrees, but the sun mostly shone. In that plein air day, I began the study of the buildings that…

  • Dateline: Mitchell, Oregon, Sept. 15, Day 10

    I am aweary this evening. But I tromped again today to the back of the outback and did another medium sized painting (18 x 24).  I also worked some more on yesterday’s painting from that same spot. So here is the photo of the space I concentrated on today: And here’s the 18 x 24″…

  • Dateline: Mitchell Oregon, Day 9, Sept 14, 2011

    Off we went this morning, behind fast striding Scott Ritner, employee of the John Day Fossil Beds and a person who knows his territory. Scott offered to find me a painting place that was better than any I’d yet tried; he succeeded. It was heavenly. He guided Jer and I about 1/3 mile up a…

  • Dateline: Mitchell, Oregon, Day 5, Sept 10, 2011

    We zoomed out to Picture Gorge extra early today, hoping to catch the shadows and avoid the heat. We were carrying the large canvases in the carrier Neighbor Jim made for me; the carrier protects the car from oil paint, and me from sorrowful looks by Jer, who loves his 1994 Honda and can’t bear…

  • Dateline: Mitchell, Oregon. Canoodling Conundrums on Day 3, Sept 8

    It was cloudy at 8 AM when we started off to the Painted Hills, an earlier day than yesterday. I was ready to finish off an already composed painting. The early start and muted sun turned out to be advantageous for capturing the color of the Hills. And the skies, full of clouds and Moran-like…

  • The John Day Fossil Beds, Further Explorations

    In 2006, I spent a month at the John Day Fossil Beds National Monument. At the time I was a long-time textile artist but a newbie painter.  My intent was to do studies in oils and watercolor and then transform these into textile art when I returned home. It was an exciting adventure, providing an…

  • Paintings from the Sandgren Workshop

    [Ed. note: this is a re-posting from the southeastmain blog] By june I’m finally ready to post the paintings from the Sandgren Workshop, not because they are fascinating and wonderful, but because, well, because it’s time. I did six paintings in three days, and then I reworked them in the studio. Five of the paintings…