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The Plank Paintings: Playa, September 2013 — January 2014
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David Hockney at the de Young, Part 3
David Hockney David Hockney working on The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven), Version 3, 2011 The Exhibit Design I mentioned the design of the Hockney exhibit earlier. I don’t know if Hockney was personally involved in the placement of the works although he has sometimes, as with the Royal Academy…
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The Project from Hell
The project from hell is the one that has at least 27 more steps to it than initially envisioned, and each step consists of 1 step forward followed fairly quickly by 1.9999 (or sometimes 4.999999) back. So, take 20 miles of a dry lake bed, Summer Lake, seen in September from a relatively inaccessible spot…
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Playa: September 23 & 24, the last days
Monday, Sept 23, last days…. A busy day in the compound. The full set of fall residents is to arrive next Sunday, so lots of staff members are here, working to make sure the cabins are ready and the Compound immaculate. I’m unaccustomed, even after this short period, to having so many people around (at…
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Playa: September 19 & 20, 2013
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Playa, September 17, 2013
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Playa: September 15 & 16, 2013
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Playa September 14, 2013
(This residency recollection was interrupted by a 50th wedding anniversary orgy of photographs, which I shall post on Flicker as soon as I get a bit caught up here. My apologies to my faithful fans who have been waiting for the next installment.) Saturday, September 14: Yesterday I climbed up the hill across the road.…
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Paintings from Pine Creek: Issue 3
18 x 24″, oil on Masonite, 2012 It was a long and fraught winter, with annoying bouts of vertigo that often stopped me completely. Earlier, I had committed to a charity auction, so most of my upright time was spent getting a small end table painted and presentable for the Community Warehouse Chair Affair. However,…
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Paintings from Pine Creek: Finale
In preparing for our extended visit to the old family home, Cedar Pines, along Pine Creek in northern Pennsylvania, I realized that the lush green landscape required more than my usual travel supply of small boards. I needed ampler materials so I could stretch myself into the landscape. Lots of artists don’t work large, and…