Category: Thomas Hart Benton

  • Benton, Pollock, and, um, Underwood

    As I explored in previous posts (here, here, and here), I’m continuing my quest for compositional methods and ways of seeing that can give me a framework for my mostly intuitive working. Thomas Hart Benton and scholars discussing his work have dissected his use of vertical spirals, collage-like murals, and falling-into-your-lap figuration. Thomas Hart Benton,…

  • Wonky-Scapes, a truncated history

    I was prevented from hanging my upcoming exhibit Wednesday afternoon by construction issues, so I decided my spare time could be spent rummaging around in my brain, thinking about how I got to doing wonky plein air and studio city-scapes. The exhibit is Wonky PDX: City-Scapes by Yours Truly, showing at the Full Circle Gallery,…

  • Thomas Hart Benton: Vertical Composition, Energy Fields, and Space through Size

    Thomas Hart Benton  seems to hold one or more of the keys to my attempts to consciously understand my own painting processes. Thomas Hart Benton, Boomtown, 1927 –1928* As I noted here and here, I am concerned to find that sweet spot, the riparian zone of visual art, where space becomes place, but is not…

  • Space and Place, the Tangle and the Wonkiness

    To continue my thoughts on space and place: I have been working on textiles, which means 10% design and 90% execution. Execution always gives me lots of time to think. So I am pondering, still, on my own art making — what I make, and why it’s not necessarily what I generally like in art.…

  • Space and Place, First Thoughts

     The Amargosa Panorama from Fra Lippo Lippi, by Robert Browning …We’re made so that we love First when we see them painted, things we have passed Perhaps a hundred times nor cared to see; And so they are better, painted — better to us, Which is the same thing. Art was given for that; God…