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PSF Residency: Post #4
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PSF Residency: Post #3
I didn’t get back to the Portland Store Fixtures studio until Friday of the second week of this residency. I have excuses, not real good ones, but hey — it’s January and the street-ponds have risen. However, I did work in my warm studio at home, continuing with the painting that started me searching for…
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Benton, Pollock, and, um, Underwood
As I explored in previous posts (here, here, and here), I’m continuing my quest for compositional methods and ways of seeing that can give me a framework for my mostly intuitive working. Thomas Hart Benton and scholars discussing his work have dissected his use of vertical spirals, collage-like murals, and falling-into-your-lap figuration. Thomas Hart Benton,…
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Wonky PDX Cityscapes — a Review by Sam Underwood
[Ed. note: The following are the images from and a commentary about the wonky cityscapes exhibit shown at the Full Circle Gallery, May, 2011. Sam Underwood is a Portland-born, long-time observer of the city as well as an intelligent observer of paintings. Disclaimer: he’s also related to me. The paintings have been grouped by the…
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Wonky-Scapes, a truncated history
I was prevented from hanging my upcoming exhibit Wednesday afternoon by construction issues, so I decided my spare time could be spent rummaging around in my brain, thinking about how I got to doing wonky plein air and studio city-scapes. The exhibit is Wonky PDX: City-Scapes by Yours Truly, showing at the Full Circle Gallery,…